In the early days of the class I teach for the DMA, many students had their tuition paid by their employers. More recently, most are paying their own way and are specifically interested in how they can make a living as a copywriter. I describe three pathways with which I have some personal experience:
Work for an agency. This is the glamorous choice, especially when you’re looking in from the outside. Who wouldn’t want to be part of a team working on an edgy campaign that turns a new product into a household name with the help of a massive creative budget? Problem is, you have to be pretty senior and pretty well connected to have a meaningful role in the big work. If you’re new to the business you can expect to start at the bottom, work as a proofreader or copy editor first, put in long hours and not make very much money until you prove yourself.
But there are lots of personal perks to working with a major agency, which I’ve done at various times both as a contract worker and in my occasional forays into a salaried position. A good agency truly is the big time in terms of complexity and challenge of projects, and creative is genuinely respected—as opposed to just getting the job done or making the client happy. If you’re lucky you’ll learn from the best pros and if you’re good you can go far. Don’t expect job security, though…. your position is only as safe as the account roster.
Work inhouse on the client side. Many companies have a marketing communications department inhouse which is responsible for turning out marketing materials and possibly working as the liaison to an outside agency, and many big companies will have a copywriter on staff. One benefit of working inhouse is that you get to know your product or service deeply, in a way that an outside agency never could. And you may work with many different types of media—print, collateral, broadcast, digital as well as less exciting internal communications.
The drawback is the same as the benefit: you’ll be pigeonholed into your product category and it may be difficult to escape that if you want to go elsewhere. And, you may get bored eventually. But if you’re looking for job security an inhouse job is probably your best choice.
Be a freelancer. This is the only work I personally am suited for, since I get bored working on the same product for long periods of time without a break and I don’t seem to be good at being an employee. Fortunately, I’ve been able to make a living as a freelancer.
Getting started as a freelancer will almost certainly entail some financial sacrifice compared to working for agencies or inhouse, since it takes a while to build up client relationships. On the other hand, if you don’t get a great job offer right away (and you probably won’t) you may have no choice. And you may be able to get tryouts, either as a vacation fill-in or to handle overloads, while you are waiting for that perfect full time job to materialize.
Because you are a business owner as well as a creative practitioner, the financial considerations for being freelance are unforgiving. You have to be a self-starter and you have to be able to make yourself sit at the keyboard when it is beautiful outside and everybody else is going to the beach or the mountains. You also have to be able to handle cash flow irregularities, and keep left and right brains separate so you don’t get mad at a client that owes you money and compromise the quality of your work.
If you can put up with all that, the benefit of being a freelancer is that you have more variety in your assignments and to a degree you can pick what you work on and whom you work with. You can set your own schedule which doesn’t mean you avoid long hours but does allow you to choose when those hours are spent. And, once you build up a stable of clients who like you, the financial security is not bad. A recession causes all companies to cut marketing budgets and you’ll be the first to hear about it, but hopefully you are disciplined to put aside a good chunk of your proceeds for this inevitable rainy day.
Freelance is definitely good for variation. I agree that at the beginning things may be difficult. The work won’t just fall onto your lap! But if you want it badly enough, you can get it!