Why Cadillac “Dare Greatly” campaign doesn’t

While many brands made a political statement with ads on the 2017 Super Bowl, Cadillac saved theirs for the (surprisingly non-political) Academy Awards telecast. “We are a nation divided. That’s what they tell us, right?” the ad begins. “But what they don’t tell you, what doesn’t make the news, is this: We carry each other forward.” And we have a series of clips of Americans supporting or carrying others, sometimes literally.

Next we go to a montage of historical figures standing next to their Cadillacs. “No matter who we are, or what we believe, or where we come from, we’ve had the privilege to carry a century of humanity,” the ad continues. The “carry” metaphor is not very subtle, but it speaks well to Cadillac’s history as a symbol of having made it. I grew up in a suburb of Dallas with a very eclectic population mix—from college professors to poultry distributors, and from aristocrats with a long southern heritage to first generation immigrants.

Some folks thought owning a Cadillac was a way to show off your prosperity; my Uncle Jim bought a new one every year. But others would never own a Cadillac because it was not appropriate to be so ostentatious. I suspect the new Cadillac campaign is speaking to the first group. You may live in fear of deportation, you may belong to an ethnic group that is the subject of hate crimes, but if you have money for the down payment at least you can drive a nice car.

As it wraps things up, Cadillac stretches its metaphor a bit too far in my opinion. “But maybe what we carry isn’t just people. It’s an idea. That while we’re not the same, we can be one. And all it takes is the willingness to dare.” And we close with the Cadillac logo and the tag line, “Dare Greatly.” (The tag is not new, but was introduced with this campaign a couple of years ago.) Again, what we’re talking about is bourgeois prosperity. It’s the same kind of daring that might cause you to go for it with a nicer anniversary gift or a pricier steak than you had planned because, hey, this is America and you can. It’s really not that daring, but maybe it hits the Cadillac buyer’s sweet spot.

The branding continues to veer off course with the next spot, “Pioneers”. “We’ve always been dreamers. We’ve been a symbol of the future…. A standard… a star. But our past is just that, past. What lies ahead is in our hands.” And the ad goes on to introduce concept vehicles including self-driving and electric Cadillacs. The drivers in these vehicles are younger, much younger.

The third ad, “Pedestal”, starts with a vehicle literally on a pedestal surrounded by gawkers. A well-dressed 30ish woman comes forward, mesmerized. “We know how it feels to be treated like a trophy. Driven to awards shows… parties… and across so many silver screens…. But a Cadillac is no trophy, no museum piece. This is our future, and it will inspire every car that follows…. Intermission’s over. This is how we drive the world forward.” And now the mesmerized woman is behind the wheel while multiethnic pedestrians gawk at her good fortune.

The problem here is that Cadillac is trying to transform its brand and appeal to a new audience, yet its history is the reason for its cred. They should have done what Lincoln and Chrysler did, in high concept campaigns of the past. Tell your story, then shut up. The campaign can continue with product-focused features and performance ads, and buyers will connect the dots.

I’ll close with Electro Cadillac, presumably a current owner, who says much the same thing in a comment under the YouTube “Pioneers” video:

“I can’t believe this… This commercial is basically telling you that all the achievements and great cars that were made in the past, history (which, let’s be honest is much better than the weak plastic bullshit we have today) let’s just throw all that in the garbage… I enjoy driving and all this ‘futuristic’ crap is getting on my nerves with every single day going by…

“One thing that is fundamental guys, Cadillac hear me out: You can’t beat the old school. Those flimsy plastic bumpers will never compare to those good old chrome steel ones.

“And here is another thing. I am watching the Oscars as we speak, and your Escala commercial says this: ‘Our cars will never be like before’. Well that means that you’re not going to be Cadillac anymore.

“Here is a new slogan for you: There is no future without the past.”

Cadillac “Dare Greatly” ad campaign has an elephant in the back seat

During 2015 March Madness I’ve seen the Jason Wu Cadillac ad numerous times. Certainly it’s daring greatly to heavy up on a story about a guy whose mom gave him a sewing machine during the uber-macho celebration of NCAA basketball, and the ad is a great story. But what’s that vehicle rolling into frame at the end? Oh, wait, it’s a Cadillac… whaat?

I went googling and found Cadillac’s Dare Greatly page, which provides nice access to all the celebrity stories featured in the campaign. I watched the story of Jason Wu in full (that’s the video link above; the ad itself doesn’t seem to be available online) and also that of Anne Wojcicki, founder of 23andme. They’re well done. The overall impression is of somebody who was immensely talented to begin with, but then took a career path that took them out of their comfort zone. Obviously that’s a great metaphor for a once adulated, now staid luxury car brand that wants to reinvent itself.

But here’s the thing. I can’t imagine any of these people actually driving a Cadillac, other than maybe Steve Wosniak who’s a car collector and something of a schlub. (In fact, if you can prove to me Anne Wojcicki doesn’t drive a Tesla S, I’ll send you a free copy of my book right now.) So the ads, while celebrating the daring and talented, inadvertently separate the product from the celebrity endorser.

This campaign is often compared to the iconic Chrysler spots featuring Eminem and later Clint Eastwood. But those gentlemen weren’t endorsing a car. They were endorsing a spirit: Rocky, relocated from Philadelphia to Detroit, the downtrodden American underdog rising from the ashes of defeat. You buy a car from these guys not because they drive one, but because it’s the right thing to do.

When Chrysler next hired Bob Dylan and turned him into an Ed McMahon-type huckster, it was cringeworthy. A better use of the celebrity as pitchman was the Lincoln ad with Matthew McConnaghey where he comes right out and says “I’ve been driving a Lincoln since long before they paid me to do it.” Anyhow, what all these ads had in common was that they make a direct connection between the celebrity and the car—in most cases, the spokesperson is behind the wheel in at least one scene. (I think Eastwood may have stepped from the shadows behind a Chrysler.)

And that’s the disconnect with Cadillac’s Dare Greatly campaign and its celebrities. In order to convince them to participate, Cadillac obviously told them they did not have to mention Cadillac, appear with Cadillac, or drive a Cadillac. So we have the choice of questioning the credibility of the endorsement, or realizing it’s not an endorsement at all.

Celebrities are infinitely useful as metaphors, especially if they’re dead. (Think of the “Here’s to the…” images in the Apple “Think Different” campaign.) But if you’re interacting with live ones you can’t put up a firewall. You have to ask them about the car. That’s the lesson here.