Marketing Archives - Page 16 of 22 - Otis Regrets... or not

Dude, it’s CES, where’s your product?

foneGEAR non-booth at CES 2010 — foneGEAR's non-booth. Some teaser signage on those mirrored walls would have helped.

Can you create buzz at CES without showing any product? A couple of companies tried exactly that. First up is a company called foneGEAR. They decided sometime before the show to completely revamp their product line and positioning so, rather than show their current product, they elected to turn their large and expensive booth into a giant “coming soon” sign. The curious were funneled down a mirrored passageway where a single booth rep swiped their card and gave them a key code to unlock a product preview on their website. Booth traffic was pretty light… it might have been a good idea to put a few teaser messages on those long blank walls.

The case of PowerMat is more interesting. Their booth was jammed on Friday and I couldn’t get a demo because they were tied up with Good Morning America. All this with no product on display, just a loop of TV commercials in which hipsters place their iPhones and other portable devices on a pad and it goes bzz! and starts charging. Wireless charging, that’s cool!

But since I didn’t get the demo I read up in the press kit, and discovered PowerMat’s secret: you can’t just fling the device down, it has to be in a special inductive power sleeve that’s not obvious in the commercials. And early users and reviewers have lots of complaints like: it’s hard to get the sleeve on and off; it’s too bulky; it interferes with the compass in the GPS.

PowerMat booth at CES 2010 — All hat, no cattle? PowerMat booth at CES.

I returned Saturday and asked a booth staffer why they aren’t exhibiting product. (Meanwhile, traditional media guys are circling waiting for their demos like hungry sharks, sensing they’re really onto something. After all, everybody knows the pain of plugging in to charge your phone. Oh, to be free!) He said they did have product out the first thing on Thursday and there was such a mad scramble for it they put it away.

Now, this isn’t a stealth product. You can buy it at Amazon and Best Buy. I’ll take him at face value, even though creating mystery around a buggy product rather than showing seems like a pretty cool marketing strategy. Pay no attention to that man behind the curtain..

Packaging perspectives from CES 2010

Last month, like most consumers, I fell victim to “wrap rage” as I attempted to pry various gifts out of the theft-resistant clamshell packages in which they were packed. MeadWestvaco’s Natralock® is getting some attention at CES, a tradeshow featuring thousands of consumer products manufacturers, with a packaging system that is less paranoid but still secure. The secret is a cardboard backing containing an impossible-to-tear inner layer of film that can also include a security chip. Thus the plastic clamshell overlays attached to the card can be simpler and cheaper, display the product better, and because they are smaller they are less expensive to store and ship and gentler on their ultimate destination, the landfill.

Speaking of landfill, I asked Todd McDonald of Tegrant, the partner that manufactures the card backing and the system used to attach it to the package, what if I wanted to make my clamshell out of cornstarch plastic (which I learned is technically called PLA) so it would decompose? Consumer electronics companies wouldn’t do that, he explained, because it isn’t as transparent so the product doesn’t look as good. More important, PLA melts at high temperatures such as inside a warehouse in Texas in summer.

Also, he went on to explain, virtually no PLA actually gets decomposed anyway because it goes right into landfill where it is undesirable to have decomposition. That’s because decomposition produces methane, which can make the soil unstable and is also a greenhouse gas. Methane produced in a controlled environment, where it can be converted to fuel, is a good thing but landfills can’t do that. Landfills don’t decompose. When one is occasionally excavated, the headlines on 50s newspapers are still readable.

Todd, who is a Certified Packaging Professional (CPP) went on to describe his reservations with PET, the plastic now used universally for food containers because it is recyclable. The problem is, again, that virtually none of this plastic actually gets recycled; unless it’s got a deposit on it, it goes into the landfill. And PET takes twice as much petroleum in manufacturing as the PVC it replaces. A complex tradeoff.

Cardboard speakers from OrigAudio — Cool idea, but the sound isn't all that great.

Meanwhile, across the hall in the digital lifestyle pavilion, www.OrigAudio.com (“the origami of audio”) is going in the opposite direction with an audio speaker made out of recycled cardboard—a cardboard box, in other words. You can get two of them for $19.95. Or if you prefer you can make your own speaker from any old resonant trash you may have lying around with the $49.95 Rock-It, a vibration speaker system that attaches to a cereal box, a milk carton or an inflated plastic bag and creates vibration in the object to generate sound. No clamshell packaging is used for either product.

“Don’t tase me, dad!”

Yesterday at CES I got a demo of a soon-to-be-released product aimed at parents concerned about their kids. There are two modules. Mobile Protector is a phone app they receive along with their first mobile phone. It allows the parents to control what numbers they dial and receive, whether or not they can text and under what restrictions. If they like, the parents can serve as a switchboard: incoming calls come to them and they can answer, decline or forward to their kid’s phone.

When the child reaches driving age, a vehicle mounted console called Driver Protector is added. Parents will now know where the young driver is at all times and they can set up a “Geofence” to be sure the kids are staying within an approved area. If the kid strays, or texts while driving, the phone can shut down automatically. They can tell if the kid is driving too fast, and if they are in an accident there is an alert triggered by sudden deceleration or the deployment of an air bag.

Taser demo at ces — Mobile Protector demo at CES. Afterward, a woman from the audience allowed herself to be tased for our amusement.

The interesting thing is that these products have been developed and will be released by Taser. Yeah, that Taser. I asked the booth guy how this fit with the weaponry and he said Taser’s motto is “protect life”—as in, using our product will help you protect the things in life that matter; as in, if you mess up we’ll tase you but hopefully not kill you.

I see this cutting two ways in the marketplace depending on how it’s marketed and received. Best case is that kids think it’s cool: mom and dad have given me my own Taser, sorta, to keep me safe. Worst case is they think it’s an onerous form of parental subjugation. Let’s see how it plays out.

New rules of PR at CES 2010

This year I pre-registered as a blogger at CES, and as a result I’ve received hundreds of press announcements via email over the past couple of months. Coincidentally, I was reading the just-released new edition of David Meerman Scott’s The New Rules of Marketing and PR
on the plane coming out. Scott’s premise is that the internet has changed public relations because, instead of hawking their message to the media, businesses can now promote themselves by speaking to the public directly—via blogs, content on their own website, posts and responses on networking sites and viral media.

I did an evaluation of the PR emails I’d received with this in mind. The pitches that grabbed me were the ones that were written like news stories and tied to a course of action I could take at CES to find out more and bring it to my own readership. Find out why Apple is up but Sony dropped seven spots in the Greenpeace rating of green manufacturers. Team up with Dr Dre, Lady Gaga and Monster to fight AIDS in Africa. See how Natralock ends “wrap rage” with the end of hard-to-open clamshell packages.

The interesting thing is, many of these are the kind of made-up stories or manufactured events that used to be easy to make fun of: a marketer whipping up fake news because they couldn’t find a legitimate product benefit. Now I’m reading them as a recipient of information, not a conduit, and they become relevant. I’m eager to blog about it and add my own spin, and then the flack’s work is well rewarded.

By comparison, landing side by side in the inbox, traditional press releases just didn’t cut it. (“FOR IMMEDIATE RELEASE: La Cie announces new server for business.”) And some of the senders show a lack of finesse in using email as a medium. No-nos in my book include emaiing the press release as an attachment rather than including it in the body of the email (with this sea of info, why would I take an extra step to read your release?); addressing me as your bud because, you know, it’s email (e.g. starting with “hope all is well” or “hope you had a good holiday”); and sending a graphics-heavy announcement without ALT tags which is basically illegible unless I download the visuals (I’m looking at you, Vizio).

Scott’s theory is that there is a huge sea of traditional flacks who are trying to hang on or just don’t get it, and I guess this would be evidence. Meanwhile, I’ve got a couple of upcoming posts in the hopper, based on those pre-show emails I received.

CES 2010: it has a pulse

Just finished my first day at the 2010 Consumer Electronics Show. The aisles are packed, at times so much so you can’t get through. But there are no exhibits in the huge Sands center this year, several of the areas in the back of the South Hall are blocked off, and one of the ballrooms usually used for the Hilton International pavilions is dark. In the main hall, OEM no-names share the prime spots with the likes of LG and Panasonic. My guess is that exhibitors panicked and stayed away while significantly more attendees are here than last year, signaling their intent to lift us out of our gloom.

According to show sponsor CEA, consumer electronics sales were off 7.8% in 2009 yet with higher volume led by bargain hunters. Sales for 2010 are projected to be up “slightly” from this terrible level. So it was interesting to see what attracted the most attention at the show.

Most popular trend that is going nowhere: 3D TV. Everybody is standing in lines to get into the theater rooms and see it but my prediction is, this is like the hot girl you’re never going to bring home to meet mom. Once the 3D glasses get stepped on or lost in the couch cushions, the party is over. (One vendor, TCL, shows a Fresnel lens type 3D where the picture is slightly different as you sift your vision, and doesn’t require glasses, but it doesn’t really have the drama of the polarized glasses kind.)

Bad news for the 3D TV folks: virtually no traffic in the zone promoting mobile TV, a technology that is designed to provide high quality reception in a moving vehicle. If you don’t want your kids to watch live TV in the car, my prediction is you won’t want to watch 3D at home either. There’s a limit to how much fun you can have.

Entourage Edge e-reader — Entourage Edge gives you the best of both worlds. It’s an e-reader AND a tablet computer.

Attracting a lot of crowds: e-readers. Diverse interpretations and executions of what Kindle left out, many with added value content such as newspaper subscriptions, complete with graphics, delivered along with your e-books. There was prediction Apple would show its new tablet at the show, but I haven’t seen it. (SF pundits mention Moscone Center is mysteriously unbooked for several days in late January, suggesting an Apple stealth event coming then.)

I saw several specific technologies of interest. Will report on some of these tomorrow.

On my way to CES 2009

This is my first year as an “official” blogger at CES (why the quotes, dude?). I’m already a day late because many of the press events are held on Thursday so they can get coverage before the throngs arrive. Definitely sorry to miss Lady Gaga at the Monster booth. Wonder if I’ll run into her later tonight when I arrive, maybe at the Showstoppers Expo?

The first time I attended this show was before many of my readers were born, probably, back in the 80s. I was an account exec at an agency representing The Federated Group, a home entertainment chain that has since gone to its reward. Accommodations were incredibly hard to find pre-internet efficiency. I was put up at the Showboat, somewhere downtown and far from the action. It was all demos of Betamax and Quadraphonic. I did not have fun.

Today the CES incorporates many of the vendors who used to be at COMDEX and they’re primarily my focus in attending. As a marketer, I like to hang back in demos and watch my audience to see what questions they have and what bullet points make their eyes light up (or become less glazed over). I also like to look for new or interesting technology which often comes not from startups (it’s very expensive to exhibit here) but from backwaters divisions of major companies—Panasonic’s heat pump washer/dryer, covered last year, being a good example.

And, as a marketer I like to look at the way all these companies are marketing themselves. If you’re into home entertainment, how do you establish through your booth display that your product is “entertaining”? If it’s a new technology, how do you show in a microsecond what it does? Now that I’m on the press list I get to see lots of flackery, good and bad, in the press releases and invites sent out. Most intriguing so far is Gracenote’s display at the Showstoppers tonight, which promises only “surprises”. Hope I am. More later.

Copywriter piggybacks on Southwest “Bags Fly Free” promo

I hardly ever use this blog to promote my own services, so please indulge me. I want to make an analogy to Southwest Airlines, whose CEO David Kelly explained he gained market share in a dreadful economy by doing nothing. Other airlines started charging for checked bags, Southwest didn’t. “Bags Fly Free” was news.

The commercial side of Otisregrets can be found in the tabs at the top of the page. Though I’m a copywriter, I came out of a Master of Fine Arts program at UCLA Film School. I can’t help thinking in terms of stage management. How will the recipient interact with the elements of the direct mail package? What will the reader see “above the fold” on a web page that keeps them reading?

From the beginning, each of my copywriting deliverables has come with guidance on how to execute it graphically. Sometimes this means detailed design commentary within the copy deck; sometimes it’s working with an in-place designer; every now and then I do an old-school “copywriter’s rough”.

I don’t see other writers doing this as much these days, when we all are re-inventing ourselves to stay viable. Maybe it’s my own “Bags Fly Free” story. Check it out.

The carpenter’s jig

In my town lives a master carpenter named Chris. He donates his time to serve on the town historical preservation board, and he donated his time last fall to supervise a bunch of Saturday amateurs who volunteered to help rebuild a dilapidated but beloved local building. It was in this context that Chris provided a sweet example of a carpenter’s jig.

A jig is a made up structure which holds your work in place while you are performing a carpenter’s task such as sawing, drilling or glueing. A jig is handy if you are doing a number of repetitious operations (for example, drilling a row of holes at exactly the same position in a cabinet so you can hang a perfectly level shelf) but can also be used for a one-time operation if you don’t trust your ability to control an unpredictable process when wood meets a powerful force.

Making a jig is one delineator between a carpenter who cares about their work and a hobbyist tacking boards together. It’s the physical embodiment of laying the groundwork which a good marketer is going to do as well: define your problem, determine how you are going to approach it, then be clear in your mind about your plan of attack so you don’t get distracted and veer off course during the executional phase. Good copywriters do this without even thinking about it; less-good copywriters just hammer away.

But back to Chris’ jig. The job given to me and a couple of other guys was to hang siding along a 20 foot run. As he described the project Chris asked me, “do you want a jig?” That was music to my ears. Each row of siding needs to be perfectly level and it needs to overlap the previous row at exactly the same measure from the bottom. Trying to eyeball this with a long floppy board would create something ugly. So Chris made a jig. He took a 10” length of 2×4, ripped it down the middle to the 6” mark, then turned it 90 degrees and made a crosscut that met the first one to create a piece that looked like an L if you held it sideways. And then he made another jig exactly the same as the first one. If each guy takes a jig and fits in the shelf of the L under the previous row of siding, then rests the next piece on the top of the L, the work is in perfect position to nail into place.

Now it may occur to you there would be an easier way to do exactly the same thing. Just get two pieces of wood (you could even use scraps from the siding) then fasten them together offset at 6” to produce the two shelves you need to hold the work. But Chris did it the hard way because it gives him pleasure to make something that works well. Not a bad role model for copywriters.

On the value of “spec” creative (“spec” as in “specious”?)

Business is getting better, but I still make an extra effort to seek out potential projects I think would be fun or challenging. The creative director at one such client contacted me last week and said that frankly, their management was used to seeing potential creative resources do products on spec and I’d probably have to do the same if I wanted to get an assignment.

I sent a response in which I said, politely I think, that

There are two concerns I have on a philosophical basis about the whole idea of spec:

–for the writer, if you have other, paying clients waiting you are inevitably going to spend less time on the spec than a “real” assignment.

–for the client, there is the temptation to value the work on the basis of, it’s worth what you pay for it. They have no skin in the game, so they’ll evaluate the spec result less seriously than something they’ve paid good money for.

I didn’t hear back and not sure I will. This isn’t a stretch, by the way. It’s a category where I have done a lot of work for a competitor in the past and that work is easily accessible if they want to see “what I can do” in selling their product.

It’s my loss, but also theirs I think. If you demand spec work then you lose access to all the writers and designers who are too established or busy to be able to consider it.

And here’s something else. A good writer, especially a direct response writer, is going to go through a self-editing process (often unconscious). They will go through a series of drafts they never show the client because though they may sound sweet, they don’t have the oomph, benefit statements and sharpness required to sell effectively. This is something you don’t get from junior writers who may be great wordsmiths but not experienced salespeople. And if the client is used to choosing their talent pool from spec submissions, they may never know what they’re missing.

Along these lines, here’s a nice piece from a down-under designer on “Why Logo Design Does Not Cost $5”. Copywriting neither!

Best practices for graphics in emails

This Ace Hardware email has some great offers...

Right now thousands of people are re-installing Microsoft Outlook as they upgrade from XP to Windows 7. And the majority of these folks won’t touch the default settings which don’t load graphics within emails unless the user specifically asks to do so.

... but most recipients will see it in their preview pane like this.

Right now hundreds of marketers are designing emails that ignore this reality, by placing a big beautiful graphic at the top of the message that shows up as a blank spot superimposed with a red X instead of the desired image. Which means that most recipients will never see the graphic, or the message, because there is nothing visually compelling to pull them in. The “before and after” examples from Ace Hardware are proof positive. Inviting graphic and great offers, but most of the people who got this email will never see them. (I’m on a Mac so the red X’s show up as question marks for me, but the problem is the same.)

So what can you do to fix it? Use HTML text creatively at the top of your email instead of relying on graphics to tell the story. The REI newsletter example is isn’t pretty, but there is a lot of REI identity here to pull people in, including the bar of clickable links.

Best: very little of this message is lost, even without graphic.

Better yet is the email from Beasley Direct that has a good ol’ compelling headline to pull people in, and places this to the left of the page so it will have maximum visibility on small screens. This email also includes ALT text—the words “Beasley Direct Marketing” over the graphic—which appear when the graphic doesn’t load. That’s another good practice. Better yet would have been a benefit message or call to action in the ALT tag, such as “request your complimentary landing pages guide”.

Make sure you’re following these simple steps next time an email goes out. Don’t get intimidated by your art director… the design can still look great, you just need a backup scenario when the graphics don’t load. And everybody will be happier with the higher open rate and, hopefully, more clickthroughs.