Attend a “Creative Town Hall Meeting” in Monday afternoon Ignition Session on October 17

Are you coming to the DMA’s annual conference in Los Angeles next week? Then make plans to attend my Ignition session, “The Devil in the Details,” at 4 pm on Monday the 17th. It promises to be a repeat of a highly successful and well-attended session last year in which creatives shared their pet peeves and inspiration–a town hall meeting for copywriters, art directors and those who work with them.

The DMA took a big risk last year in doing something that’s a no no in direct response: changing your control without testing it. The 3 day conference was compressed to 2 days, and content below the keynote level was reclassified as Insight, Inspiration, Ideation and Ignition depending on the format and content. Ignition is supposed to be audience-led. A moderator facilitates, but the folks in the audience actively participate and lead the conversation. Did it work? Yes. The conference was well-attended and the sessions for the most part got positive reviews, so we’re moving forward with the same thing.

As for my session, I was asked to take over for my pal Carol Worthington Levy and Herschell Gordon Lewis, who for several years had presented a session featuring examples of good and bad creative execution, often hilarious. (Herschell passed away last month after a very full life at the age of 87. He was a major inspiration to me.) To accommodate the new format, I showed a few slides and then asked the audience to pile on with their own experiences, eg what’s the worst project you’ve ever worked on, the worst client etc and what can we learn from it.

It was a huge hit. The room was packed and creatives and account managers loved the opportunity to air their gripes about crazy clients, up-tight legal departments and the “suits”. Now that we’re back with a better idea of how the Ignition format works, I’ll be ready with some examples to prime the pump and then step back and watch the fireworks happen. (Not to mix a metaphor or anything.)

Here are a few topics as a starter list:

  • Those darn kids… why won’t millennials buy my product?
  • Can brands get away with talking like teenagers in social media?
  • My best idea was killed by the ____ [client, suits, legal department etc]
  • My biggest flop and what I learned from it.
  • Can you be funny and still sell stuff?

And there’s more! If you have topics you’d like to add, email me and we’ll get them into the list.  See you on Monday, October 17 at 4 pm!

Should you care about email marketing?

Somehow email marketing has become the red headed stepchild of promotion channels. It’s not as pervasive as Facebook, immediate as Twitter or insidious as native advertising. And it’s all too easy to take email for granted and put it on autopilot with a management tool like Eloqua or Pardot. So email gets short shrift in planning meetings and the email marketing manager is often someone who’s expected to handle production rather than make a creative and strategic impact. Am I right?

But email marketing is also the face of your company to people on your email list as well as email inquirers. And if you don’t pay attention to the channel you risk looking like you are clueless or don’t care. I’ve recently moved, which has caused a number of new interactions. Here’s an email from Thermador customer service when I asked about a part for my 25-year old range:

Good Afternoon Mr. Maxwell,

Thank you for taking the time to contact us. We here at Thermador are always more than happy to assist you with your appliance inquiries and we appreciate you allowing us to do so.

Please accept our sincere apology for the delayed response as we are currently experiencing a high volume of email correspondence.

In regards to your inquiry, unfortunately there aren’t any parts available for your unit…

See what I mean? Here’s a potential new customer reaching out to you… sell me an upgraded product! And, while you’re at it, engage with me instead of saying you’ve been too busy to answer my query.

Here’s another. The USPS partners with a company called My Move which makes a number of offers during the process of changing your address. There’s an interstitial page with check boxes for retailers you want offers from, and after you leave there is a second page with more offers. I get it, the second page is for marketers who didn’t pay enough to be on the first page, but there are some really good offers here. $50 off $500 at Amazon! 10% off my next Home Depot purchase! I want this stuff.

But when I try to submit the page, it doesn’t work. I just get the spinning ball in my browser (Safari for Mac… I suspect a compatibility issue). I find a support link for My Move and I write to them and describe the above problem in detail and ask how I can get these offers since the submit button didn’t work. The response:

Hi,

MY MOVE sends your information to the advertisers you selected during your transaction. Fulfillment of specific offers is done by those advertisers and can take anywhere from 48 hours to several weeks depending on the content. For example, a catalog you selected may not arrive for a few weeks, but a coupon that is emailed may arrive in just 2 days. If you need a more specific time frame please contact the advertiser directly. Good luck with your move, and I hope this has helped.

See what I mean? No, it hasn’t helped, since you answered a completely different question than the one I asked. Hopefully Amazon and Home Depot are on a performance contract with My Move, because they are getting exactly zero hits from anyone who is using Safari for Mac. And they can’t be happy about this indifference to a prime target because My Move can’t be bothered to clean up its email automation or pay a human a few dollars to actually read the emails.

UPDATE: Here’s an even better example. I needed a recommendation for a pool & spa service (in my hostile climate, we have to have a “closing” and drain the pipes for winter) and went to Angie’s list. I noticed that one of the reviews had an “F” which was clearly intended from the content to be an “A”. Unlike Yelp, there’s no way to flag a review or give feedback on it so I wrote an email to support using their online form. Here’s the reply; note that has nothing to do with my concern and also contains a number of grammatical errors:

Thank you for contacting Angie’s List. 
We do apologize that you were not able to use the one of the recommended services in your area. For the reviews, we rely on our members feedback. We advised them to be as accurate as they can and non biased as for the work performed by the companies enlisted with us.
Let us know if you have any other questions, or visit the 24/7 Angie’s List support site for additional help. Don’t forget, if you have any home maintenance or improvement projects coming up, you can save time and money by shopping at  AngiesList.
Thanks again. Have a great day!

See what I mean? You too, dear reader. Have a great day.

DMA &Then 2016… I’ll be back

I’ve been asked to repeat my Ignition session at this year’s annual Direct Marketing Association conference, which will take place in Los Angeles. My slot is Monday October 17, 4:00-4:45 PM.

Titled (for legacy reasons too complex to go into here) “Devilish Details: Looking for an Advantage in Your Copy and Design”, it’s essentially an opportunity for creative practitioners and managers to let down their hair in a town hall setting. You know all those times you’ve seen a really good or bad example of creative and wished you could talk to somebody about it? Or that ridiculous assignment that you aced in spite of the suits? Or how your legal department maimed your dream concept? Here’s your chance to share.

I’ll come prepared with a few examples to prime the pump, and would love your suggestions either as comments or emails to me. Some of the areas I want to touch on are “Brands saying bae” (cringeworthy examples of corporations trying to be hip in social media, as featured by the @BrandsSayingBae handle or seen in the wild), infographic abuse (some are ok, but some are graphics for the sake of graphics, right?), mumblecore emails and whether they work, and fake-official direct mail that makes you wonder how stupid marketers think we really are.

Got any more ideas? Please share!

We will also have food! Not in the session (though copies of my book will be given away), but repeatedly during the conference because Los Angeles is a great food town. I’m specifically interested in great Chinese in the San Gabriel Valley and interior Mexican and am starting the research process now. Again, suggestions appreciated. This will be fun!

Get a free copy of my book at DMA2015 &then

Update: DMA &then website has now been updated with full schedule information. Go to http://dma15.org/schedule/ to read all about it. BE SURE TO USE THIS LINK; the “build your schedule” menu on the home page of dma2015.org still produces the old placeholder content.

Here’s the session I am leading on Monday, October 4, from 4:45-5:30 at the DMA’s revamped &then conference in Boston:

Devilish Details: Looking for an Advantage in Your Copy and Design
An interactive sequel to one of last year’s most popular sessions, “The Devil’s in the Detail”. Share clever tweaks and clumsy misfires that made a big difference in creative execution and bottom line results—good or bad. Veteran copywriter Otis Maxwell will kick things off with examples of a few gems and gaffes, then you join the fun. Fabulous prizes for the best ideas!

This is an “Ignition” session which is designed for attendees to interact in a town-hall environment. I’ll share some examples of copy and design decisions that had a negative impact on campaigns, then make suggestions for how to improve them. After a few examples I’ll open things up to the floor and ask folks to share their own experiences which can be a/creative home runs and pratfalls they’ve experienced in their own work and what they’ve learned from them, or b/third party examples similar to my own.

While copies last, everybody who makes a meaningful contribution gets a free copy of my copywriting book, Copywriting that Gets Results!

Note: As of September 27, there is still placeholder copy on the DMA15.org website. This is the session in the slot called “Concentrating on the Detail: Copy & Color Choice”. That’s the placeholder title; what I’ve described above is the real deal.

Why too many good ideas can sink your direct marketing campaign

Front of Save the Children OE
Save the Children outer envelope has lots of good ideas

It’s great that you are brimming over with good ideas. Unfortunately, your prospect is not nearly as enchanted with your creativity as you are. They’ll sit still for one powerful marketing statement, perhaps supported by a call to action subhead, then it’s off to the deleted messages folder or the recycling bin. When you put out too many good ideas, you run the risk of getting none of them across.

This Save the Children appeal is an example of too many good ideas. On the front of the outer envelope is this headline: “What if your donation had 4x the impact for children in need?” That’s a very legitimate teaser and it’s supported by the subhead “learn more inside…” Unfortunately, the reply-by date is a complete non sequitur. Does the 4x benefit cease on that date? Then there’s the free notecard statement which I’m aware is a popular fundraising technique in today’s society, but it appeals to greed which is a different motivator than wanting your gift to do the most good so it’s misplaced here.

Save the Children OE back
Still more good ideas on the back of the same envelope (click the photo to enlarge and read the quotes)

On the back there are MORE good ideas. Here’s a quote from Bill Gates that would support a package all by itself. When asked to recommend a top philanthropic cause on the Today show, he replied, “you can go to Save the Children—they help mothers have safe births… It’s amazing. You can be sure that [this organization] will put your money to good use.” A minor quibble, not everybody knows who Bill Gates is so I’d set the stage by saying he was the world’s richest man until he started giving away his money. Then we’d have a very nice setup for a direct mail pack or maybe a long form print ad.

Unfortunately, the Bill Gates quote is diminished by a quote from the Save The Children’s own president, in the same size type. Since she has maybe a tenth the credibility of a legendary philanthropist in this context, that should be the weight of the two quotes—or, better yet, leave it off. And we’re not done; the envelope needs to tell us that Save the Children has earned its 14th consecutive 4-star rating from Charity Navigator. For what? Hopefully it’s for using my money efficiently instead of spending it on administration and marketing. But tell me; don’t just show me the Charity Navigator logo.

Save the Children is a fabulous organization that really does great work; I was quite familiar with some wonderful packages written by my mentor Robbin Gehrke at Russ Reid. But this isn’t a winning effort. It falls victim to too many good ideas.

Coming to DMA &then in Boston? We’ll be talking about this and other examples of marketing milestones and miscues in my interactive Ignition session, Devilish Details: Looking for an Advantage in Your Copy and Design. It’s at 4:45 pm on Monday, October 4. See you there!